Thomas S. Clark
Doctor of Musical Arts, University of Michigan
Professor Emeritus, University of North Texas College of Music
Introduction – CARTE DU CIEL
Mapping Music
Pioneers
Purpose
Metaphor
Part I – STARS

Time, Periodicity, Perception
Chapter 1. TIME
Periodicity
Defining time
Time perception
Chapter 2. RHYTHM AND METER
Rhythm makes meter, Meter drives rhythm
Stress and accent
Molecules
Chapter 3. RHYTHM OF CHANGE
Beyond meter
Prime numbers
Part II – CONSTELLATIONS

Pitch Space, Arrays, Tonality
Chapter 4. TUNING PITCH
Chapter 5. CONSTELLATIONS OF PITCH
Interval Arrays
Chapter 6. SCALE PATTERNS
Scale prototypes
Scale patterns and set classes
Chapter 7. HARMONIC COMPLEXITY
Chapter 8. CONSTELLATION STREAMS
Constreams and 12-tone sets
Progressive alterations of interval arrays
Chapter 9. CELLS AND CLUSTERS
Melodic molecules
Cell class
Chapter 10. TONAL DESIGN
AUTHOR
Part III – GALAXIES

Structure and Relativity
Chapter 11. TEXTURE
Melodic Shape
Pitch recurrence
Chapter 12. COUNTERPOINT
Rhythmic alignment
Canon
Chapter 13. COLOR
Farben
Symmetry
Chapter 14. POINTILLISM
Chapter 15. REPETITION
Ostinato
Chapter 16. SOUND MASS
Hauptstimme
Galaxy groups
Density
Chapter 17. RELATIVITY
Part IV – ASTROLABE

Creative Modeling Labs
MapLab 1: GENERATE A GYMNOPODIE
MapLab 2: SKETCH A SONG
MapLab 3: CONSTRUCT A CANON
MapLab 4: MODEL A METAMORPHOSIS
MapLab 5: SPIN A SOLO
MapLab 6: PAINT A LANDSCAPE
MapLab 7: TWELVE-TONAL TRICHORDS IN A TERNARY TRIO
Part V – PARALLAX
Collections



