Tag: Huron River

  • 16. Thermal Energy

    San Marcos, 2012 —

    Pondering the physics of molecular heat energy applied metaphorically to music . . .

    Lower to higher energy of musical masses comes from four factors: Tempo — standing stillness to frenetic pace; Rhythm — regular pulse to unpredictably varied; Textural rhythmic alignment — synchronous to random; Loudness — hushed to explosive.

    Starting with low-energy, low-temperature continuous cool sound, listen to a favorite piece by my late colleague, co-author and friend, Larry Austin. His 1982 score for double bass quartet is“dedicated to my friend and mentor, John Cage, in his seventieth year”. I describe it in my book:

    “The harmonies sounded by ambient counterpoint will all consist of only the pitch classes C, A, G, and E, created by scordatura open strings and harmonics. And the open-ended improvisational nature of the work, expressed by an artistically drawn matrix score, is an obvious and elegant homage to Cage’s deep interest in chance and open form.”

    Thomas Clark —

    Larry Austin: Life and Works of an Experimental Composer

    (Borik Press, 2012)

    In gentle sustained tones, the texture moves continuously through a matrix of sound projecting a subtly changing but almost steady-state sonority. Very low temperature music . . .

    LISTEN ›

    Water sounds

    The many bodies of water figuring prominantly in my life include:

    • Shiawassee (rural Michigan)
    • Huron (Ann Arbor)
    • Lake Michigan (Leelanau)
    • Puget Sound (Seattle)
    • Lake Spanaway (Tacoma)
    • Lake Texoma (Texas)
    • Vltava (the Moldau, Prague)
    • Green Lake and Duck Lake (Interlochen)
    • Lake Ray Roberts (Texas)
    • Albamarle Sound (Outer Banks)
    • Salem Lake (Winston-Salem)
    • Gulf of Mexico (Port Aransas)
    • San Marcos River (San Marcos)

    Inspired by the great serenades for strings of Dvořák and Tchaikovsky, my string serenade explores musical metaphors for the physics of water in interesting atmospheric and geographic settings.

    Three States of Water

    Clark 2021, TC-107

    I. Cold front (VAPOR becomes SOLID)

    In low clouds on mountain tops, water vapor can become super-cooled and become freezing fog, filling the air with small ice crystals and freezing to surfaces, similar to very light snow. In the western United States, the common name for freezing fog is “pogonip.”

    II. Ice Dunes (SOLID)

    In the Leelanau Peninsula of Michigan, the Lake Michigan surf sometimes whips up and freezes in mid-air, forming weird ice caverns and ice dunes.

    III. Nuages (VAPOR)

    French for clouds, Nuages is one of Debussy’s three beautiful Nocturnes for orchestra, quoted here as a theme for variations. Water vapor is technically invisible. The clouds we see are actually masses of minute liquid droplets and frozen crystals. Thus this movement embodies all three states of water.

    IV. Vltava (LIQUID)

    The great river Vltava flows majestically through Prague. Smetana’s depiction of it in his monumental Ma Vlast is usually translated as The Moldau.

    Quarks

    The aggressive rhythmic character of the opening part of Joseph Schwantner’s 1980 piece is an opposite to the serenity of Austin’s art is self alteration is cage is . . . Boiling heat:

    LISTEN ›

    U.Mich. Symphony Band

    Modern physics understands that all matter is built up from just five fundamental “particles”: electrons, up quarks and down quarks with electrical charge; and gluons and photons with no electrical charge. They are not exactly particles, though, but infinitesimal points of spin in space/time.

    That’s where the next sound composition experiment began. Two 4-pitch segments of the octatonic scale appear (“quarks”), then spin at their own speeds, while smaller 3-pitch sets (“electrons”) spin above and below them. At times, the sound mass explodes with a shower of electron sparks, then reforms.

    More clouds! We had Nebula, clouds of gas and dust in space, then Nuages, puffy white clouds in a blue sky. Now storm clouds . . .

    Meteorology

    Clark 2022 (TC-121)

    Nimbus

    While quarks are hard to imagine and impossible to visualize, we love to watch puffy white cumulus clouds. Their kinetic energy becomes more visible when they grow into dark, precipitation-bearing cumulonimbus storm clouds, bringing rain and crackling electricity.

    Squall

    A tree limb branching out from a trunk, then smaller limbs branching from it, again and again to smaller and smaller branches — a classic example of a recursive process. Sometimes lightning shows this same recursive branching process. While the tree branches take years to fill out, lightning is a sudden explosion of electricity over a split second. Thunder, as sound travels much slower than light, is heard later than the lightning flash is seen — unless, of course, it is very close by!

    ______________

  • 1. Forest Paths

    Howell, 1967 —

    In 1967 I was already earnestly composing for piano, trombone (my own instrument), even for orchestra. Living beside the Shiawassee River’s glacial-moraine beginnings in rural Livingston County Michigan, my best pastime was hiking along the creek’s forested banks. I was already going to Ann Arbor for trombone lessons and Youth Symphony rehearsals.

    In fall 1967, after my 18th birthday, I moved to Ann Arbor and enrolled at the University of Michigan. Though not yet a music major, I began playing bass trombone in the university orchestras. For 8 years, Ann Arbor with beautiful Huron River running through it was my forested Michigan home.

    The year before I was born, John Cage wrote a gentle, beautiful piece for piano, one simple enough that my 1967 piano skill could have handled. It also expressed my own urge to amble along freely improvised paths of musical exploration.

    John Cage – Dream (1948)– Damian Alejandro, piano

    At age 17, I never dreamed that I would meet John 24 years later (in Denton Texas of all places), a gentle soul who loved mushrooms. And I had yet to discover this piece or any John Cage music. But I was also writing simple and (I thought) beautiful piano music.

    Two pieces for piano that expressed my attitude of wonder while wandering in the woods were updated fifty years later with my 2023 editing skills. “Mystic Breeze” and “Light” were my 12th and 18th completed TC compositions. “Riverbank” is from a 1967 sketch of an “interlude” for trombone and piano.

    They make a nice set of three, revealing that before formal study my compositional explorations were already discovering more exotic harmonies and rhapsodic forms resembling Debussy’s Impressionism and even the post-tonal possibilities of 12-tone rows.

    ARBOR SKETCHES

    Clark 1967 (TC-12/18)

    • 1. Breeze
    • 2. Riverbank
    • 3. Light

    Brno

    Twenty-four years later in 1991, I was invited to perform at the 26th Brno International Music Festival. It would lead me on a path of musical and cultural exploration that has filled my life since with beauty. (I had also married a beautiful Czech-American woman in 1976.)

    Brno is the capital of the Moravian province of what was then Czechoslovakia. Brno was the home city of the great 20th-century Moravian composer, Leoš Janáček. After visiting his home and school in Brno and his summer home in Hukvaldy, I began to study his music.

    Two things captured my interest. Like Bartok, he embraced and collected the folk music of his homeland. He also exalted in nature, walking around the wooded hills of Hukvaldy’s castle ruins, and collected his own transcriptions of bird calls.

    While there on the first visit, I was commissioned to compose a ballet for the local dance theatre company. Inspired by Janáček’s birds, I began to write my own music for what would become the ballet, PTACí (“Birds”).

    Lesní cesty

    In a music store in Brno, I also discovered his marvelous 1911 set of piano pieces, the title of which translates On the Overgrown Path.” On a return trip, I was able to visit the Moravian Music Archives in Brno to examine his original hand-written manuscript of the pieces.

    Excerpted from Series I:

    • No. 5, They Chattered Like Swallows
    • No. 6, Words Fail!
    • No. 7, Good Night!
    • No. 8, Unutterable Anguish
    • No. 9, In Tears
    • No. 10, The Barn Owl Has Not Flown Away!

    Po zarostlém chodníčku – – – Josef Páleníček, piano